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Beach Fossils | Bunny (2023)

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Bedroom-pop trailblazers Beach Fossils’ new album ‘Bunny,’ is a triumphant return for one of 2010s most influential NYC bands. ‘Bunny’ delivers us 11 new classics–a precise blend of the dream-pop they notoriously pioneered, familiar post-punk vigor, & the sophisticated songwriting of seasoned musicians.
The record has Dustin Payseur’s most vulnerable lyrics by far. He’s pushed himself to be honest and give insight to his emotional world. From poignant words about a family member’s cancer battle, the joy of being a father, to smoking a cigarette out of a car window with friends-it’s the band’s most vivid and personal work to date. Bayonet Records

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Kevin Morby | More Photographs (A Continuum) (2023)

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Kevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, This Is A Photograph, studies life, time and mortality through myriad lenses. It’s a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn’t quite done with it on its completion. More Photographs (A Continuum) finds new nooks, corners and vantage points. “If This Is A Photograph is a house that you have been living inside of,” says Morby, “then More Photographs is, perhaps, the same home just experienced differently. As if you, its inhabitant, have taken a tab of something psychedelic and now, suddenly, you’ve replaced your eyeglasses with kaleidoscopes.” Here, Morby returns to his landmark album’s bottomless themes with new wisdom, new imagination, and the winking, looping callbacks that tie his full body of work together in uniquely special ways.

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The Selecter | Human Algebra (2023)

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It’s been 43 years since the release of The Selecter’s seminal debut album Too Much Pressure and while it still inspires and resonates today, their new studio album Human Algebra keeps the fire burning with a stellar collection of hard-hitting tracks in the band’s own inimitable style. Human Algebra, released April 21st, is a word from the wise – from questioning ‘fake news’ (“Big Little Lies”), to pointing the finger at keyboard warriors (“Armchair Guevara”), and the scourge of knife crime (“Human Algebra”). Human relationships are also touched upon (“Boxing Clever”), along with a touching tribute to the late great Ranking Roger from The Beat (“Parade The Crown”).
As ever, The Selecter are led by their iconic frontwoman Pauline Black OBE and co-fronted by original member Arthur ‘Gaps’ Hendrickson with original drummer Charley ‘Aitch’ Bembridge. Human Algebra is produced by Neil Pyzer, who also contributes Sax, Guitar and keyboards. The rest of the band feature John Robertson on Guitar, Lee Horsley on organ and Andy Pearson on bass duties. The Selecter

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The Lemonheads | Come on Feel [30th Anniversary Edition] (2023)

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Expanded 30th anniversary re-issue of The Lemonheads’ classic 1993 album. The breakthrough record that took American alt rock global and catapulted Evan Dando into the hearts of a generation. With a wealth of unreleased demos, alternative versions and rarities – including covers of Victoria Williams, Buddy Holly and The Flying Burrito Brothers plus The Lemonhead’s take on the Cole Porter standard ‘Miss Otis Regrets’.
In the 90’s Evan’s Lemonheads produced hit after a hit, a string of super cool singles: ‘Big Gay Heart’, ‘Into Your Arms’, ‘It’s About Time’, and ‘The Great Big NO’. Pure genius filling the radio waves and taking the stage… Some 30 years on; Evan is still knocking that song writing thing out of the park and ‘Come On Feel The Lemonheads’ sounds as fresh and perky as it ever did. Amid the hits on the original record are stencils and outlines for yet more magical music and now this deluxe edition adds a second disc of demos and acoustic versions, plus a host of one-offs from sessions and compilations that add further colour to the myth and how it was created.

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The Pogues | The Stiff Records B-Sides (1984-1987) (2023)

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A collection of B-sides and non-album tracks by Celtic punk favorites The Pogues that originally were released on Stiff Records is being compiled for the first time as a 16-track, 2LP colored-vinyl release for Record Store Day.
Rhino Records release The Stiff Records B-Sides (1984-1987) on black and green marbled vinyl at participating independent record stores in the U.S. and U.K. The double-album collects B-sides from “Dark Streets Of London” and “The Boys From the County Hell,” off 1984’s Red Roses For Me; “Dirty Old Town,” “A Pair Of Brown Eyes” and “Sally MacLennane,” off 1985’s Rum, Sodomy & the Lash; and “Fairytale Of New York,” off 1988’s If I Should Fall From Grace with God. The set also includes all four tracks off the Poguetry In Motion EP, released in 1986, and the two songs recorded for “The Irish Rover” single with The Dubliners in 1987. Slicing Up Eyeballs

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Talking Heads | Stop Making Sense (2023)

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At the start of their career, Talking Heads were all nervous energy, detached emotion, and subdued minimalism. When they released their last album about 12 years later, the band had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop. Between their first album in 1977 and their last in 1988, Talking Heads became one of the most critically acclaimed bands of the ’80s, while managing to earn several pop hits. While some of their music can seem too self-consciously experimental, clever, and intellectual for its own good, at their best Talking Heads represent everything good about art-school punks. AllMusic
Stop Making Sense full concert for the first time ever on vinyl. 2 LP with a reproduction of the original booklet from the 1984 limited edition pressing and additional pages with never before seen photos. Includes brand new notes written by Chris, David, Jerry and Tina. The tracklist includes previously unreleased tracks “Cities” and “Big Business/I Zimbra.”

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VA | Gary Crowley’s Punk and New Wave 2 (2023)

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Following on from the highly popular first volume of Gary Crowley’s Punk & New Wave, Demon Records are proud to introduce Vol.2. “Alongside my rhythm pal Jim Lahat, we’ve once again pillaged our respective music collections to bring you a highly personal and extremely eclectic selection of gems, mined from the rich seam that was the late ‘70s/early ‘80s.”
A period when a raft of bands and artists imbued a new energy into the country’s musical culture. This mega 77 track collection features some of the biggest names from this period such as The Clash, Ramones, The Jam, The Cure and The Slits. Alongside the bigger names Gary & Jim also shine a light on the lesser known bands, those who might have left just the one great single in their wake such as The Limit, Gary Valentine, The Wardens, Basement 5 and The Limps. Many of these incredibly rare tracks appearing here for the very first time on CD.

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Modern Cosmology | What Will You Grow Now? (2023)

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The second collaborative album from Laetitia Sadier and Brazil’s Mombojó.
Modern Cosmology is a musical ensemble composed of six individuals of the human race, none of which are cosmologists or astronomers, although Felipe S. – who sings and plays the guitar – knows quite a bit about reading astrological charts. He shares his frontperson duties with one Laetitia Sadier who, by virtue of her singer-songwriter career both as a solo artist and as part of the Stereolab ‘groop’, happens to be one of the key figures of her bandmates’ musical formation. “What will you grow now?” started in late 2016 on a recording session Mombojó did on a motorboat up the Capibaribe river in their Recife hometown. The title track was recorded there and then during this fluvial jam session, and the other backing tracks were recorded about a year later at a recording studio at the local University, after which Laetitia had a bunch of new material to add words and melodies to, from her Brazilian friends and bandmates with love.

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Beach House | Become EP (2023)

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New EP of previously unreleased material from the sessions for Beach House 2022 album, Once Twice Melody. The Become EP is a collection of 5 songs from the Once Twice Melody sessions. We didn’t think they fit in the world of OTM, but later realized they all fit in a little world of their own. To us, they are all kind of scuzzy and spacious, and live in the spirit realm. It’s not really where we are currently going, but it’s definitely somewhere we have been. We hope you enjoy these tunes, Alex and Victoria/Beach House. Sub Pop Records

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